Beer and Old Skool Muzak FU

DVC and I are drinking, reminiscing (blah) and watching URGH! A Music War vids. We share this with you.

P.S. We tried to put tags but they wouldn't let us. Fuck the man. Here's what we wanted.

new wave, fu, ed hill, Magibon, rack-jobbing, retard porn, drooling, filmic technique, escapism, existentialism, geekery, peg-warming, Potential for dashed hopes, Privacy issues, Resurgent Common Sense, WTF, Yamato,

From DVC



From Bomb #20

Ginga Tetsudō no Yoru

Bomb#20 will vouch for me here, but my S.O. is hung-up on the 'Japornimation' archetype.

It stands to figure though, since she's quite a bit younger than I am and grew up in the wake of Manga's releases of Madhouse productions (Ninja Scroll and the like). She also grew up addicted to Walt Disney's television work of the era (including Tailspin, ironically animated by Japan's TMS) as well as the squiggly-lined cartooning of Doug and Pepper Ann (yay, verily, twas bliss to be a Millennial in the 1990s...)

Over this morning's coffee and pancakes we discussed the nature of escapism in works of fiction, and eventually got around to escapism as it pertains to animated cartoons. Given her predilection for disliking Japanese cartoons she naturally has difficulty understanding the 'realistic' approach used in the cartoons from Japan; cartoon people make no sense to someone accustomed to the exaggerated, anthropomorphism typified by America's cartoon past.

I told her about 'Night on the Galactic Railroad' and she sounded interested. Granted, this film is not typical of Japanese cartoons, but as an application of anthropomorphism to universal themes of human nature and certain existential themes she ought to at least be able to 'make the jump' -- or so I hope.

We'll watch it tonight and see if her head doesn't explode.